Creative direction and design rooted in color, collection, image, fabric and wash, carried from first reference to finished garment.
As Yeezy’s wash expert and lead on color, this expansive body of work is an investigation of color theory. The palette holds a deliberate multiplicity — colors are made of colors, built through layered wash so each tone reads as many at once, resolved on actual garments rather than swatches on a screen.
Grey through navy, rust, red, ochre and olive — each shade layered and corrected by hand until the line held together as one palette.
Garments graded into tonal colour wheels — the whole collection read as one palette
The line laid out and color-graded at full scale
The same study carried outdoors, on the ground
Reconceptualized the brand’s creative and design direction. Using fabrics from the Asher Fabric Concepts mill, the brand now bridges the gap between fabric development and garment design, further articulating the intimacy of the wearer’s relationship to fabric. Fabric is the starting point.
The new direction is grounded in refined core pieces through thoughtful detailing, quality fabrications, and nostalgic construction. Elevated basics with a laid-back Californian sensibility. Familiar pieces, modernized while keeping their essence intact.
Asher Fabric Concepts mill — where the collection begins
Designed by Amelia Lindquist · Photographed by Jane Dylan Cody · Styled by Annie Lavie
Artisanal wash development across the collection, carried from ideation to finished garment. A multitude of hand-applied processes worked into knits, tailoring, workwear and suede, holding a single worn-in palette across the line.
Founder and creative director of a small-batch swim label built through design and image. Vintage-cut suits, recycled and deadstock fabric, made-to-order production, and a visual world that created a cult following.
Design and art direction for the 2019 Solid & Striped × Re/Done collaboration. A Woodstock-era summer of crochet, patchwork denim and striped knits, developed as both a product story and a campaign world.
A Parsons MFA thesis collection built around California nostalgia, surface and construction. Fine jersey, heavy denim, bonded seams, chemical erosion and sun-bleach washes, all developed by hand. Selected for Wallpaper*’s Graduate Directory.
Design and product development as Simon Miller expanded from luxury denim into ready-to-wear. The work included accessories, sweater knits, the Bonsai bag and wash development for non-denim pieces, carried from concept into production.
Co-founded with Stevie Dance around a single product idea: the perfect genuine jean. Amelia worked across design, fit, fabric sourcing and near-waterless wash development, with cutting waste donated for recycling.
Design for graphic skate-streetwear across knits, flannels, shirting and denim: allover logo knits, graphic flannels, photo-print rayon and patch denim developed from concept to finished garment — and a collaboration with Beatrice Domond for FA’s first women’s line.
Runway textile and surface development for Calvin Klein 205W39NYC and Narciso Rodriguez. Chemical erosion, pigment work and hand-treated cloth developed in the studio, then translated into ready-to-wear.
